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"Well, just one moment," says Geoffrey, detaining her, "let us finish what we were saying. Would you rather go to the East or to Rome?" "There is hardly any taste so charming or so engrossing as that for flowers," says Geoffrey, making this trite little speech, that sounds like a copy-book, in his most engaging style. "My mother and cousin do a great deal of that sort of thing when at home." "There is no need for regret, darling," says he. "I am heart-whole, and I know no woman that loves me, or for whose affection I should ask, except yourself.".

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They have entered the cottage by this time, and are standing in the tiny hall. "Go!" she says, in a choked voice, and with a little passionate sob, pointing to the door. "You have done mischief enough." Her gesture is at once imperious and dignified. Then in a softer voice, that tells of sorrow, and with a deep sigh, "At least," she says, "I believed in your honor!" "It is now my turn to demand obedience," says Mona, with a little wan attempt at a smile. "Will you make every hour of my life unhappy? Can I live in the thought that each minute may bring me evil news of you,—may bring me tidings of your death?" Here she gives way to a passionate burst of grief, and clings closer to him, as though with her soft arms to shield him from all danger. Her tears touch him. "But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either.".